Model stitching

Sunday, 14 September 2025

Where do my ideas come from?

I get asked this all the time so I thought I would explain my process of gathering ideas.  Everything around me influences, shape, colour, nature, buildings, patterns, textures and much more.

I like draw, I am not an artist, I draw in my own style, it helps me to process what I have seen or recalled from memory or in most cases a mash made up imaginary world.  Mostly doodling as this is my way of generating little gems that I want to develop further. 

As Halloween season is fast approaching I started with pumpkins! 


This is a mixture of drawings and painting on other paper then cut and stuck in this book, I guess a kind of collage. This was the finished page.


I should mention this book, I decided to start this book, the pumpkins were my first doodle.  This book I hope to use regularly as a way of offloading ideas and things I just want to draw.  Being autistic my head never switches off, I am constantly thinking about things.  

The next page I decided to create leaves, all aspects of nature fascinate me, again a kind of collage. I like to add pattern to shapes to make them more interesting.


At the moment I am happy using water coloured paint and watercolour pencils, I may switch to just fine liner or other mediums.  I am just going with what I feel at the time.

This next one 'Houses' literally took me just over an hour! I wanted a quick result, not searching for realism.  I was exploring colour, shapes and placement.


Back to nature next with 'Fungi and Mushrooms', I chose to add the name of what I wanted to draw to each page as it just made sense to me to do that. I really liked creating this page as it reminded me of all the lovely mushrooms and fungi I have stitched.












Sticking with nature I decided a plants page was needed! I love house plants, having nature so near makes me happy. I do not have an outside space sadly, so I bring plants to me!







The next page I created was trees, in a fun shape gathering way! Thats the thing with me, I just create things I like so if it means odd shaped trees, it's that! 



Today I wasn't feeling colour at all so created a black and white then a monochrome page.  Not sure if you all know but without my Irlens tinted glasses I only see monochrome, no colour at all.  The specialist tint gives me colour and it's actually really amazing however some days I find it too vibrant and return to my monochrome world.




My Irlens tinted glasses, each tint is made up of a combination of colours.


I find drawing a great way to generate loads of ideas for designs I may want to hand embroider. Developing my drawings further helps me to process what I will create with embroidery, what colours to choose and how I will do it if it is 3 dimensional. 

Do you enjoy drawing?

Until next time...

Friday, 5 September 2025

Where is the Pumpkin Patch?

 

Available HERE

Its a FREE instant download.

Enjoy and happy stitching, I hope you like it :)

Thursday, 4 September 2025

Someone mention Halloween?

 Halloween will soon be here....

As you know I am dabbling in creating cross stitch charts, thought I would create a FREE

Halloween cross stitch design people could stitch.

If you would rather download this its available HERE


There is a reason why I chose pumpkin faces, I have prosopagnosia (facial blindness).  

For me this basically means that I do not recognise human faces, combine this with me

being autistic, facial expressions become highly frustrating and confusing. I can see 

pumpkin faces!


Pumpkin faces are fun! 

Happy stitching.



Monday, 1 September 2025

A Glimpse Into My Life With Autism

 Living, masking, and finally being seen, my journey with autism.

“This is me, living with autism.”
                         "Sharing my story to be heard and to help others feel less alone".


Childhood & Early School Years

There’s something that literally rules my life, something that never leaves me, something that frustrates me 24/7 and, on occasions, makes me feel unheard and invisible. It’s also something I rarely talk about. What am I talking about? Autism.

All my life I have known there was something different about me. I just didn’t do what other children did. I was born in the 70s and back then autism was unheard of, especially where I lived. My dad served in the British Army and we lived in Germany, where I spent 27 years of my life, and loved every minute. But as a child, I was seen simply as the quiet one who didn’t play with others. I liked being by myself.

Sometimes I laughed loudly, but not with others, just on my own. It often happened when teachers put me on the spot or made me work in groups. That laughing was my way of being heard. When I expressed verbally that I was unhappy or struggling, no one listened. But loud laughter got me noticed. It usually meant I was sent out of class to the quiet room, where extra reading sessions took place. That suited me perfectly: it was calm, quiet, and I could settle.

Looking back, no one tried to understand me. I was left to my own devices throughout school. I hated it. I loved drawing and art, working with my hands, but no one wanted to hear that. School became a place where I had no voice, was forced into things that made me uncomfortable, and so I resented every minute. It wasn’t until later in life that I realised how much of my schooling I had lost.

Struggles in Adulthood

Employment was difficult. I found things harder to pick up, so I learned to survive by following others, copying, mimicking, and masking to fit in. I laughed when others laughed, even though I didn’t really understand humour or sarcasm. Mimicking became my secret weapon, and it served me well for years.

But beneath the surface, I was often overwhelmed, tearful, and shouting out of sheer frustration. I felt so alone, like I was speaking another language no one understood. I found it especially hard to see people breaking rules or doing things I saw as wrong, because I couldn’t understand why others did what I would never do. My family always said they knew I was different but brushed it off as just being “me.” It didn’t help.

To self-regulate, I turned to noise: shouting and slamming doors. The vibrations and the bang grounded me, pulling me back to earth when my emotions took me sky-high.

The Road to Diagnosis

It wasn’t until my late 40s, when I went to university, that tutors repeatedly suggested I should be tested for autism. I’d heard of autism, of course, but never in the context of myself. I started reading about it, and slowly the pieces began to fit. Maybe this was the answer I had been searching for all my life?

The road to diagnosis was long, with multiple visits to a psychologist. Early on, they told me they already knew I was autistic, but they had to go deeper to make it official. When I finally received my diagnosis, I cried. Not from sadness, but from relief. For the first time, someone had listened. Someone saw me, recognised I was different, and gave it a name: autism.

Finding a Mentor & Self-Discovery

To be honest, the diagnosis hasn’t really helped me much. If anything, it’s been confusing. Yes, I finally have the answer to why I am the way I am, but now I’ve been left to live with it, with no guidance or support. That is until I found the most amazing mentor who has opened my eyes to understanding myself and autism.

It’s taken over five years of mentor support so far to let me see the real me. I masked a lot, and it wore me out. These days, I don’t mask at all, I am me. Sometimes, I don’t like me, as I can’t deal with everyday situations. Having facial blindness puts me at a disadvantage when it comes to reading people’s faces. I don’t understand any facial expressions apart from happy and sad. Daily living is a challenge. But thanks to my mentor, I’m slowly learning that being me is enough. I don’t have to copy, pretend, or hide anymore.

Thriving at University

And although I disliked school, university was a completely different experience. I thrived there because I wanted to be there. It felt like I was finally catching up from all the younger school years where I had been so lost. I soaked up learning like a sponge. The structure, the routine, and the deadlines gave me focus, and university gave me the tools to begin understanding myself. For the first time, I truly enjoyed learning.

Reflections & Hope

So here I am, autism is part of me. It rules my life in ways I can’t escape, but it also explains so much of who I am. This is only a glimpse of my life, but enough to see how autism runs through it. Maybe that’s why I rarely talk about it, because for so long no one listened. But here, with these words, I can be heard. Autism is not all of me, but it’s a big part of me. And if sharing this makes even one person feel less unheard, then it was worth writing. Most of all, I want people to know that with the right support, with someone who believes in you, there is hope. Even after decades of masking and feeling invisible, I am finally starting to see myself, and that feels like a kind of freedom. If you are reading this and recognise parts of your own story, know that you are not alone, and your voice deserves to be heard too.

Creativity

I wanted to share some of my creativity HERE is where you can read about it. 

Until the next time...


Saturday, 23 August 2025

I have been thinking

Hello again,

I find myself thinking a lot these days, perhaps too much time on my hands! But one thought keeps returning: the one thing I wish I’d had throughout my education journey.

It may seem small to some, but for me it feels huge. Being autistic, I often need validation to feel that I am good enough in what I do, especially with the thing I love most, hand embroidery. This isn’t about regret or complaining about what I didn’t have. It’s about processing the gap between what I expected, and what I actually received.

During my textile degree, I longed to use hand embroidery more. Most projects were only five weeks long, leaving little space to explore it deeply. Only my final project, three months long, allowed me to really stitch in the way I wanted. Then covid arrived, and lockdowns stripped away many of the opportunities I had hoped for. I was especially looking forward to the natural dye elements, dreaming of dyeing my own embroidery threads to stitch with. Instead, pre-dyed fabrics were posted to me, and the embroidery we were shown was limited to basic stitches, treated only as embellishment. Despite making clear at interview how passionate I was about hand embroidery, I felt that side of me was never really nurtured.

Yes, I graduated with a First Class with Honours in Textiles, and I am proud of that. But it wasn’t in hand embroidery. I still feel like something is missing and that I am an imposter. What I crave is not “just another certificate.” It’s something I can hold in my hands, see, and touch, a tangible reminder that I am a skilled hand embroiderer.

Yes, I continued to stitch during my MA, but again I felt the target was slightly missed. The focus was more on facilitating than on discovering who I was as a hand embroiderer. Facilitating is valuable, of course, but at that stage I longed to explore my own voice and direction, not simply prepare to hand it over to others.

That said, I gained so much from my time at university. Attending in the first place was something I never thought I was capable of, and graduating, not once but twice,  gave me confidence I didn’t know I had. It pushed me to break through barriers I once thought impossible.

But where is all of this leading? As I’ve mentioned before, the one place I dream of studying is the Royal School of Needlework. If it were possible, I would wholeheartedly apply and even fund another degree myself. Sadly, with the school being based in Hampton Court Palace, a Grade I listed building,  it simply isn’t accessible for me, and that door remains closed.

So what else is there? Where else can I find the validation I need? For me, City & Guilds feels like the right step. I’ve recently applied for a bursary, and I truly believe this route could empower me. Holding an accredited qualification would not only help me believe in myself, but also give me the authority to share embroidery with others, knowing I have the proper foundation to do so.

My family say I don’t need that piece of paper, that I’m already good enough. But for me, it means more than paper. It’s validation, proof, and a symbol of credibility. Hand embroidery is part of my daily life, and having a qualification in it would give me the confidence not only to honour my own ability, but also to share the joy and wellbeing it brings with others.

So no, this isn’t about collecting certificates. It’s about something much deeper: having visible proof that I am good enough, and a positive reminder that will help me step forward with confidence to inspire others through the art form I love.

If you have time, I pose these questions, what is your view?

  • “Have you ever felt the need for validation in your own creative journey?”

  • “What’s the one thing that helps you feel ‘good enough’ in what you do?”

  • “How has embroidery or another craft helped you grow in confidence?”

  • “What does hand embroidery (or your craft) give you that nothing else does?”

  • “Do you believe we ever stop needing validation, no matter our age or stage?”

  • “What gives you a sense of purpose in your creative life?”

    Thank you for popping by

    Until the next time...